Tampilkan postingan dengan label Khaliji. Tampilkan semua postingan
Tampilkan postingan dengan label Khaliji. Tampilkan semua postingan

Hind - Hind 2008


When asked about her talent, the great Mayada El Hennawi called Hind "one of today's greatest, most beautiful voices," and for good reason. The young Bahraini singer's soulful approach to everything from traditional Saudi and Emirati songs to pop and ballads, is a refreshing change in a genre where young singers tend to stick to simple, non-challenging songs. The album has an impressive list of musicians, with Dr. Abdelrab Idriss, Nicolas Saade Nakhle, Michel Fadel, Tarek Aakef, Nizar Abdallah, İsmail Tunçbilek (on bouzouk), and Ali Bin Mohamed (who duets with her on the "Khaliji blues"-style Yeji Mennak). The album is very diverse, for example Thebahni El Shoug employs an Iraqi beat, while Teshteki has delightfully classic approach, and the Lebanese hit Maw'ed Omur brings in electric guitars and bongos. So even if you don't like one song, you will definitely find one you love. This is a high-quality production from beginning to end; synths are kept at a minimum and the instruments range from traditional ney, oud, kanun, and rebab to guitars and saxophones. Understandably, Hind recorded in Cairo, Bahrain, Dubai, Beirut, and Kuwait, with musicians from the Gulf, Egypt, Lebanon, and Turkey playing the various instruments. Easily her most hyped album to date, Hind's 2008 album is definitely worth a thorough listen.

Track List:
1. Meridh El Mahabba
2. Yeji Mennak
3. Thebahni El Shoug
4. Eb Kel Basata
5. Abih Yeshouf
6. Aaf El Farah
7. Hameti
8. Tawwek Ala Bali
9. Jaitek
10. Teshteki
11. Men Int
12. Maw'ed Omur
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Nancy Ajram - Ya Tabtab... Wa Dalla'


After two hit albums in a row, Nancy's fifth album was one of the most highly-anticipated releases of 2006. With more upbeat maksoum songs, and just a few, albeit excellent, ballads, Ya Tabtab has a bit of everything. The title song, which has been remade into Greek by Kelly Kelekidou, kicks off the album in the same playful spirit as Ah We Noss. As the album progresses, the diverse list of composers is evident. Most of the maksoum songs, Ya Tabtab (Tarek Madkour), Ana Yalli Bhebbak (Samir Sfair), Mo'gaba (Walid Saad), Ashteki Menno (Hamdi El Sediq), and Ya Si El Sayed (Walid Saad), are arranged by Tarek Madkour. Though Madkour is frequently criticized for "recycling" ideas, his work here is good and each song has its own flavor, incorporating synths into some, accordion in others, or sticking simply to violins. The ballads, Ehsas Jdid (Salim Salameh), Meshtaga Leik (Yacoub Al Khubaizi), Elli Kan (Walid Saad) and Oul Hansaki (Hassan Abou El Saoud) are even more diverse, with a different arranger in charge of each. On Ehsas Jdid, Hadi Sharara combines the best of both East and West as usually, mixing piano with bouzouk, darbouka, and strings. Elli Kan is some of Karim Abdelwahab's best, and most oriental, work so far. Amr Abdelaziz gives Meshtaga Leik light percussion (for a Khaliji song) and the pop treatment, which Nancy tends to in most of her albums. Oul Hansaki is a classic ballad, with heartfelt lyrics, and typical arrangement from Mohamed Mostafa. Even the songs that did not get the limelight, like Sabrak Alaya (Walid Saad) and Law Dallalouni (Suhail Fares) are well-composed and enjoyable. Ya Tabtab was one of Nancy's most successful and most commercialized albums too, with five of the songs used for jewelry, Coca-Cola, and perfume ads.

Track List:
1. Ya Tabtab Wa Dalla'
2. Ehsas Jdid
3. Mo'gaba
4. Meshtaga Leik
5. Ana Yalli Bhebbak
6. Ashteki Menno
7. Oul Hansaki
8. Elli Kan
9. Ya Si El Sayed
10. Sabrak Alaya
11. Law Dallalouni
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Abeer Fadda - Inta Malak


Abeer Fadda is yet another underrated Syrian singer whose fame does not measure up to her talent and potential. Abeer's throaty jabali voice can easily tackle any genre, and she does in her 2005 album, Inta Malak. Abeer composed two songs, Waggef and Ser Behayatak herself, while the rest of the album is composed by Yaser Jalal, Khaled Adel, Mohamed Fawzi, and Medhat Fawzi. The album is arranged by Egyptian arrangers Medhat Khamis, Ahmed Adel, Adel Aayesh, Yehia El Mougi, and Karim Abdelwahab. The album has four great ballads, the melancholic Wallah Ma Faragni, Latin-influenced Leil Ya Gharam, Khaliji Waggef, and heartfelt Ser Behayatak. The faster-paced songs are less interesting, though Estanna Alaya and the catchy Shou Befrah stand out when compared to the maksoum songs, Inta Malak and Leila Be Alf Leila. Some will be surprised when they hear Wallah Ma Faragni, which Mayssam Nahas remade into a hit single in her latest album (albeit renamed Habib El Rouh).

Track List:
1. Estanna Alaya
2. Wallah Ma Faragni
3. Leil Ya Gharam
4. Shou Befrah
5. Leila Be Alf Leila
6. Waggef
7. Inta Malak
8. Ser Behayatak
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Diana Haddad - Ahla Aghani (Best of)


This album is a compilation of the best of Diana's early work, from 1996 to 1999. Diana is one of the few singers to have tasted success from her first song, and then been able to sustain it for over a decade. From the very beginning, Diana, who was born in Lebanon, raised in Kuwait, and lives in Dubai, sang in her native dialect as well as Egyptian and Khaliji. Her hit debut single, Saken is included, as well as her first Egyptian songs; Yamma Ya and Emshi Wara Kedbohom. The Lebanese songs that defined her early career, such as Ahl El Esheg, Anideh, and Legaitak, are also featured alongside her pan-Arab 1998 hit Ammaneih. Ammaneih was remade by Turkish singer Burcu Güneş in the same year and met with similar success. Composers featured here include George Marderosian, Imad Shamseddine, Riyad El Hamshari, and Ihsan El Mounzer.

Track List:
1. Emshi Wara Kedbohom
2. Ammaneih
3. Ahl El Esheg
4. Legaitek
5. Men Ghebt
6. Yamma Ya
7. Anideh
8. Bari'ah
9. Ghalteti
10. Saken
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Myriam Faris - Bet'oul Eih


Despite finding a great niche for herself in the oriental-dance fusion genre, Myriam did not rest on her laurels in 2008. Myriam evolved as an artist even more with Bet'oul Eih. There are a few misses, like Samir Sfair's awkward Moush Ananiya and Marwan Khoury's sleepy Betrouh, but overall Myriam's third album is solid. Like the 2005 hit Ha'leq Rahtak, the title song is written by Myriam's sister, Roula Faris, and co-composed with Marc Abdelnour, who gives the song an authentic Egyptian feel. Mohamed Rahim returns with two songs; the upbeat Eih Elli Byehsal is arranged by Jean-Marie Riachi and follows in the style of Nadini while Iyam El Sheteh is a mellow ballad with simple, but beautiful arrangement by Hadi Sharara. Ana Albi Lik will surprise those who are used to Walid Saad's oriental ballads, and Jean-Marie Riachi gives it a fresh Latin-style arrangement. Ala Khwana, also composed by Samir Sfair but arranged by Tarek Madkour, is a refreshingly enjoyable maksoum song that beats Moush Ananiya in this listener's opinion. Law Konte Radi is Myriam's first collaboration with Tamer Ali, and despite a bit of repetitiveness, it's quite good. The album finishes off with it's first single, Moukana Wein, which is Myriam's first full-on Khaliji song. Tarek Aakef proves his innovativeness once again by incorporating the sound of the seashell belt that was worn by Bahraini pearl divers in their traditional dance. The belt was also used in the controversial video Myriam shot for the song, and she learned the choreography for the dance. Interestingly enough, Ahlam recently claimed that Kuwaiti composer Abdallah El Gaoud originally offered her Moukana Wein, but she declined it because her husband think it fit her.

Track List:
1. Moush Ananiya
2. Eih Elli Byehsal
3. Inta Bet'oul Eih
4. Betrouh
5. Iyam El Sheteh
6. Ana Albi Lik
7. Ala Khwana
8. Law Konte Radi
9. Moukana Wein
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Amal Hijazi - Zaman


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Amal Hijazi's second album is, arguably, her most successful to date, and most people usually assume that this was her debut album. When you see how many of her hits came from this album, it's easy to see why. Producer Jean Saliba's affinity for Bendeniz continues in this album, and the title song is a cover of the Turkish singer/composer's own 2001 hit of the same name. With the exception of the last two tracks, the album has an oriental flavor throughout, regardless of the style of composition. The album starts with the catchy Ed'ili, Amal's first and only collaboration with Amr Mostafa. "Prince of Rai" Faudel joins Amal on Ainak Ainak, the hit Rai song which proved again Tarek Abou Jaoudeh's diversity as a composer. Iraqis Ravi and Omar compose and sing with Amal. Waili Wah. Romansiya, composed by Mohamed Rahim, is a catchy pop song which mixes in strings and mizmar with western beats and guitar. The hit Oulhali, one of Nasser El As'ad's best songs to date, is an almost magical song which combines a pop beat with oriental strings and even Indian tabla. Zaman has something for everyone, and that's probably why it's Amal's most memorable album yet.

Track List:
1. Ed'ili
2. Zaman
3. Ainak Ainak
4. Waili Wah
5. Ya Allah
6. Zein El Rouh
7. Romansiya
8. El Hawa
9. Oulhali
10. Albi Dawwa
11. Comme Çi Comme Ça
12. Mali Meil
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Nancy Ajram - Ah We Noss (Collector's Edition)


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If Ya Salam as Nancy's first taste of fame, Ah We Noss laid the foundation for the singer who was about to become one of the Arab World's biggest acts. Unlike her previous album, which succeeded thanks to its three wildly successful singles, Ah We Noss was full of excellent songs. Many collaborators return, such as Samir Sfair (tracks 7, 8, & 11), Mohamed Saad (Oul Tani Eih), Tony Saba (tracks 3 & 6), Adel Aayesh (Ta'ala Ya), Tarek Madkour (tracks 1, 4, & 7), and Mohamed Mostafa (Ana Leih). Nancy also worked with several musicians for the first time, like Tarek Aakef (tracks 8 & 11), Mahmoud Khayami (Baddala' Aleik), Walid Saad (Hobbak Liya), Fadi Saad (Sana Wara Sana), Khaled Jenaid (Ta'ala Ya), Medhat Khamis (Hobbak Liya), Mohamed Rahim (Ana Leih), and Tarek Abou Jaoudeh (Lawn Eyounak). Colossal hits like Ah We Noss, Lawn Eyounak, Oul Tani Eih, and Inta Eih need no introduction, but everyone has their own personal favorites as well among the remaining tracks (like mine, Baddala' Aleik). This remastered, repackaged version of Nancy's hit 2004 album gives the audio the quality and clarity it deserves.

Track List:
1. Ah We Noss
2. Baddala' Aleik
3. Lawn Eyounak
4. Oul Tani Eih
5. Ta'ala Ya
6. Sana Wara Sana
7. Inta Eih
8. Gaiyin Ye'oulouli
9. Ana Leih
10. Hobbak Liya
11. La Teloum
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Nawal - Nawal 2009


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Nawal's long-awaited follow-up to Nawal 2006 has finally arrived, and it is definitely good. As always, Nawal has an infectiously catchy single, and the rest of the album is filled with well-chosen lyrics, and generally mellow music. Mou Liya, like El Shoug Jabek, Bi Yahsedouni Aleih, and Tammen Galbak before it, is infectiously catchy and goes places Nawal has never been before. After joining Nawal on his compositions like El Shou Jabek and Fel Bedaya, Mish'al El Orouj returns even more prominently in Mou Liya, although it is his only composition here. On this album, Nawal's Egyptian song is composed by Walid Saad, after working with the late Riyad El Hamshari on her past two albums. Bahraini arranger Sirouz has much more prominent presence on Nawal 2009 than any other arranger, a fact this listener doesn't like, but listening to the work Khaled Ez and Hani Farhat do on Hathi Jedida, Wein Antehi, and Khed'a, or İsmail Tunçbilek does on Mou Liya is gratifying enough to forget it. Sah is another beautiful song, combining Turki's meaningful lyrics with Sahm's skillful composition (which he already proved in Asalah's 2007 album, Sawaha Galbi), and Essam El Sharaiti & Hani Farhat's arrangement. Nawal 2009 caters to those who like the polished Nawal as much as it does to those who like the rougher, more old school Nawal.


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Track List:
1. Dhagat Aleik
2. Meshtag Galoli
3. Sam
4. Leih Saket
5. Hathi Jedida
6. Mou Liya
7. May Eini
8. Sah
9. Ghab Nourek
10. Khed'a
11. Aghla Hob
12. Has Be Ghalteto
13. Min Allemek
14. Eyoun El Nas
15. Wein Antehi

Hoda Saad - Ertaht


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Moroccan singer Hoda Saad's debut album is a mellow, mostly traditional one. Hoda skillfully sings in the Egyptian, Lebanese, and Khaliji dialects, as well as her native Moroccan dialect. Hoda's soft, feminine voice does not instantly distinguish itself, but it is good and well-employed throughout the album. Hoda works with some of the top names in the business, including Walid Saad, Salim Salameh, Mahmoud Khayami, and Mohamed Rifai. Looking like Egyptian songstress Sherine can't hurt either.


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Track List:
1. Ma Kontesh
2. Ma Sadda'
3. Maghroumeh Fik
4. Abou El Erreif
5. Jit Nsidou
6. Ma Tfakkarnish
7. Ma Baddak
8. Ertaht Ashan Nesitni
9. Allah Yaster